Roland Barthes, 'The Rhetoric of the Image' in Liz Wells ed. The Photography Reader (London: Routledge, 2003)

Michael Banton, The Idea of Race (London: Tavistock, 1977)

Hugh Brogan, The Penguin History of the United States of America (London: Penguin, 1990)

Elspeth H. Brown, 'Racialising the Virile Body: Eadweard Muybridge's Locomotion Studies 1883-1887. In Gender and History Vol. 17 no. 3 Nov 2005 pp627-656.

Brian Clegg, The Man Who Stopped Time  (Joseph Henry Press, 2007)

Tim Cresswell, 'Capturing Mobility: Mobility and Meaning in the Photography of Eadweard Muybridge and Etienne-Jules Marey' On the Move  (New York: Routledge, 2006)

Marcus Cunliffe, The Age of Expansion 1848-1917 (London: Weidenfeld and Nicolson, 1974.)

Ian Jeffrey, Photography: A Concise History (London: Thames and Hudson, 1981)

Helmut Gernsheim, A Concise History of Photography (London: Thames and Hudson, 1965)

Paul Grainge, et al. Film Histories: An Introduction and Reader selection and editorial material (Edinburgh: Edinburgh University Press, 2007)

Robert Haas, Muybridge: Man in Motion (Berkeley: University of California Press, 1976)

Roger Hargreaves, The Beautiful and the Damned: the Creation of Identity in Nineteenth Century Photography (Hampshire: Lund Humphries 2001)

Gordon Hendricks, Eadweard Muybridge: The Father of the Motion Picture (London: Secker and Warburg, 1975)

Stephen Herbert et. al ed, Eadweard Muybridge: the Kingston Museum Bequest  (Hastings: East Sussex : Projection Box, c2004.)

Eric Hobsbawm, The Age of Capital 1848-1875 (New York: Vintage 1996)

Michel Foucault, Society Must be Defended (London: Penguin, 2003)

Roger Louis, et al. ed. The Oxford History of the British Empire: vol.3: The Nineteenth Century (Oxford: Oxford University Press, 1999)

Jurgen Osterhammel, Colonialism: A Theoretical Overview (Princeton: M. Wiener, 1996)

William H. McNeill, A World History (Oxford: Oxford University Press, 1979.)

Beaumont Newhall, Photography 1839-1937 (New York: Museum of Modern Art, 1937)

David Parkinson, History of Film (London: Thames & Hudson, 1995)

Deborah Poole, Vision, Race and Modernity (New Jersey: Princeton University Press, 1997)

Phillip Prodger, Time stands still: Muybridge and the Instantaneous Photography Movement (Oxford: Oxford University Press, 2003)

George Rogers Taylor, The Transportation Revolution, 1815-1860 (Economic History of the United States, vol 4) New York: Rinehart & Co, 1951 (1958).  

Eric Rhode, A History of the Cinema: from its Origins to 1970 (New York: Da Capo, c1976.)
Naomi Rosenblum, A World History of Photography (New York; London: Abbeville Press, 1997)

Gary D Sampson, Imagining race and Place: Colonialist Photography (London: Routledge, 2002)

Eric Sandweiss, 'Claiming the Urban Landscape: The Improbable Rise of an Inevitable City' in D. Harris ed. Eadweard Muybridge and the Photographic Panorama of San Francisco (Montreal, Canadian Center for Architecture, 1993) pp15-33

Vaclav Smil, Creating the Twentieth Century. (New York; Oxford: Oxford University Press, 2005)

Rebecca Solnit, Motion studies: Time, Space and Eadweard Muybridge. (London: Bloomsbury, 2004)

John Tagg,  'Evidence, Truth and Order' in Vanessa Schwartz ed. The Nineteenth Century Visual Culture Reader (New York: Routledge, 2004)

John B Teeple, Timelines of World History (London: DK Pub 2002)

Trevor Williams, A History of Invention : From Stone Axes to Silicon Chips (London: Time Warner, 2003)

John Wyver, The Moving Image: An International History of Film, Television and Video. (Oxford: Basil Blackwell, 1989)

Ray Zone, Stereoscopic cinema & the origins of 3-D film, 1838-1952 (Kentucky: University Press of Kentucky, 2007)  

 

Internet

http://www.thefreelibrary.com/Camera+obscura-a0114368013

http://photo.net/history/timeline

www.stephenherbert.co.uk/tmlin.htm

education.eastmanhouse.org/discover/kits/files/3/overview.pdf

http://www.stephenherbert.co.uk/muybCOMPLEAT.htm

http://www.brianclegg.net/manwhostoppedtime.html